![]() ![]() To get really shallow depth of field with flash (especially outside), you need to use High-Speed Sync to overcome the limitation of the camera sync speed. You can improve this further by adding a reflector underneath, such as the Lastolite Halo Compact. With the Octa between you and the subject, you’ll get flattering light in the ‘Butterfly’ position. With the TT350 inside a 120cm Octa (with the diffuser on), you’re ready to get some big light from a small flash. I also have a list of cheap modifiers that won’t break the bank. But you do get to position the shadows better, as you can see in my article on lighting. Moving the flash off-camera doesn’t automatically make it look better. Hold down the Slave button until the CH number flashes.Make sure all your flashes or triggers are on the same channel. Here’s a video that takes you through the entire process. Press Mode to switch between flash off, TTL and Manual. ![]() ![]() The M group in Master dictates what the flash does on-camera. In Slave mode, pressing Slave chooses the group the flash is on (A, B or C). In Master mode, press the Slave button to alternate between the Master group (M) and the A, B or C groups. To change between TTL, Manual and Multi modes, press the Mode button. The first option that appears is M, making your flash the Master.Ī second twist brings you to S, which enables the Slave mode. To use the radio features, hold down the Sync button and then twist the dial when the antennae icon flashes. I find Neewer to be great value for money, although in the studio I prefer using C-Stands even with speedlights. StandsĪny stand will do, even the cheap Photo-R stands. The trigger sits on-camera and relays information from the camera to the remote flash. another TT350 (and its lithium battery brother the V350).the X1T or XPro trigger for TTL and Manual.To go off-camera, you need a flash, a trigger and a stand (with a modifier being an additional option). You also can use a larger range of modifiers to soften or shape the light itself. You get better placement to control shadows, and by extension the shape of the features in the shot. The benefits of using a flash off-camera are many. On-camera, the TT350 can be used as a master for other off-camera flashes. While the flash does have a bounce card, I prefer using reverse bounce for on-camera situations to create a larger light source coming from behind me. While I’m using them with a Fuji, they’re also available for Canon, Nikon, Sony, Olympus/Panasonic and even Pentax.Īs with any on-camera flash aimed directly at the subject, the light is hard and not particularly flattering. The small size and weight of the TT350 make it the perfect on-camera flash for any camera system, particularly mirrorless systems. Built in 2.4G radio transmitter and receiver to act as either radio master or slave.Coverage from 24–105mm in full-frame 35mm terms.TTL, Manual, Optical Slave, Optical Slave with Preflash, and Multiflash modes available.210 full-power flashes available from two 2500maH AA batteries.Recycle time of 2.2 seconds at full power.A Guide Number of 36 (rather than the typical 52 of most larger flashes).It really is small – requiring noting more than two AA batteries. This compact and pocketable unit is the smallest flash in the Godox range. That’s what we’re looking at today – the TT350. Not only that, their TTL speedlights can also act as masters for other lights in the system, from the mighty AD600Pro right through to the humble TT350. Any of their X-series triggers will fire any light in the system. One thing they’ve done well to push the brand forward is their system integration. And their quality has reached the point where they can now be trusted. Godox – the mighty Chinese brand that’s sweeping the lighting world, bringing fear to long-established premium brands. ![]()
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